(Valentin and I ) frequently worked together, each showing an aspect of an artist’s work. I showed Alexander Calder’s jewelry while Curt showed his mobiles. We made similar arrangements with the work of Paul Klee, Lyonel Feininger and David Smith. I had been in contact with Mark Tobey and Morris Graves since 1939 and was to launch their work during the early forties... The forties was not an easy moment in art. If we sold a Tobey for $350.00 there was rejoicing and celebration with the artist, who got a tremendous lift from such a sale. Our rent was low, our salaries lower, but we built on faith. A few devoted collectors and museum curators kept us afloat. The fifties brought much wider public interest and better prices. Some reputations had been established and the Gallery overhead was assured as was the living of many of our artists...In l952 the Willard Gallery moved to 23 West 56 St.〔